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Explores how the USHMM and other museums and memorials both displace and disturb the memories that they are trying to commemorate.
Figures of Memory examines how the United States Holocaust Memorial Museum (USHMM) in Washington, DC, uses its space and the design of its exhibits to "move" its visitors to memory. From the objects and their placement to the architectural design of the building and the floor plan, the USHMM was meant to teach visitors about the Holocaust. But what Michael Bernard-Donals found is that while they learn, and remember, the Holocaust, visitors also call to mind other, sometimes unrelated memories. Partly this is because memory itself works in multidirectional ways, but partly it's because of decisions made in the planning that led to the creation of the museum.
Drawing on material from the USHMM's institutional archive, including meeting minutes, architectural renderings, visitor surveys, and comments left by visitors, Figures of Memory is both a theoretical exploration of memory-its relation to identity, space, and ethics-and a practical analysis of one of the most discussed memorials in the United States. The book also extends recent discussions of the rhetoric of memorial sites and museums by arguing that sites like the USHMM don't so much "make a case for" events through the act of memorialization, but actually displace memory, disturbing it-and the museum visitor-so much so that they call it into question. Memory, like rhetorical figures, moves, and the USHMM moves its visitors, figuratively and literally, both to and beyond the events the museum is meant to commemorate.
"A brief review cannot do justice to the nuanced arguments presented by Bernard-Donals. He blends archival research with theory about representation and rhetoric to provide an insightful study of the design of the USHMM, an excellent look 'behind the scenes.' [Figures of Memory] is a must-read for those who hope to understand key problems planners faced, major decisions they reached, and the effectiveness of the Museum in achieving its goals." — Holocaust and Genocide Studies
"Figures of Memory makes an important contribution to our understanding of the purpose of Holocaust memorials and museums and to the way that those who visit the USHMM are affected by their experience. Bernard-Donals is at his best when he focuses on the documents and archival materials, which reveal a great deal of new information about the process of creating the museum, the CoC [Committee on Conscience], and the public programs, as well as on the impact on visitors." — Reading Religion
"...an insightful contribution to the fields of museum studies, memory studies, and rhetorical studies." — CHOICE
"...an impressive work of seminal scholarship and unreservedly recommended for community, college, and university library collections." — Midwest Book Review
Acknowledgments
Introduction: Displacements of Memory at the United States Holocaust Memorial Museum
1. Delinquent Spaces
2. Figures of Authenticity
3. Enacting Memory
4. Kairotic Space and the Ethics of Engagement
5. "Events of the World" The United States Holocaust Memorial Museum and the Ethics of Memory
Notes
Bibliography
Index