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Emblem, Iconography, and Drama

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Eight iconographic studies by American, Australian, and British scholars that focus on Shakespeare and his contemporaries and on the interconnectedness of their art with the visual language of thei...
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  • 01 July 1995
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Eight iconographic studies by American, Australian, and British scholars that focus on Shakespeare and his contemporaries and on the interconnectedness of their art with the visual language of their time. Reprinted from Comparative Drama.
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Price: £26.50
Pages: 188
Publisher: Medieval Institute Publications
Imprint: Medieval Institute Publications
Series: Festschriften, Occasional Papers, and Lectures
Publication Date: 01 July 1995
ISBN: 9781879288577
Format: Paperback
BISACs:

LITERARY CRITICISM / Drama, Literary studies: c 1600 to c 1800, LITERARY CRITICISM / Renaissance, Literary studies: plays and playwrights

REVIEWS Icon
Preface by Luis Gamez Temperance and the End of Time: Emblematic Antony and Cleopatra by Christopher Wortham The Masks of Cupid and Death by Judith Dundas Sweet Power of Music: The Political Magic of the Miraculous Harp in Shakespeare's The Tempest by Peggy Munoz Simonds Spring and Winter in Love's Labor's Lost: An Iconographic Reconstruction by Frederick Kiefer Jonson and the Emblematic Tradition: Ralegh, Brant, the Poems, The Alchemist, and Volpone by Robert C. Evans Speaking Sweat: Emblems in the Plays of John Ford by Lisa Hopkins Emblematic Pictures for the Less Privileged in Shakespeare's England by Elizabeth Truax Quarles as Dramatist by Elizabeth K. Hill