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Cathedrals and Sculpture, Volume I
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Willibald Sauerländer, an expert in Gothic sculpture, presents significant contributions to the field in two volumes of essays. Common themes include the great centres, the survival of antiquity, n...
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12 January 1999

Professor Sauerländer is the leading authority on Gothic sculpture of the twelfth and thirteenth centuries. The papers collected here have been published over the last 35 years. They represent important contributions to the subject - two are published here for the first time - and reflect sensible shifts of method and approach in the study of the art of this period.
The studies form two volumes, and are grouped around a number of common themes: the great centers, the survival of antiquity, the new interest in nature and its representation, and the European spread of the Gothic style. Ten are in German, six in French, and six in English. Early studies have been updated with references to the more recent literature. There is a comprehensive index and a bibliography of Professor Sauerländer's work.
The studies form two volumes, and are grouped around a number of common themes: the great centers, the survival of antiquity, the new interest in nature and its representation, and the European spread of the Gothic style. Ten are in German, six in French, and six in English. Early studies have been updated with references to the more recent literature. There is a comprehensive index and a bibliography of Professor Sauerländer's work.
Price: £120.00
Pages: 456
Publisher: Pindar Press
Imprint: Pindar Press
Publication Date:
12 January 1999
ISBN: 9780907132882
Format: Hardcover
BISACs:
ARCHITECTURE / History / Medieval, History of architecture
Introduction
The Milieu. Medieval Paris, Centre of European Taste. Fame and Realities
The Great Centres. Tombeaux chartrains du premier quart du XIIIème siècle
Die kunstgeschichtliche Stellung der Westportale von Notre-Dame in Paris. Ein Beitrag zur Genesis des hochgotischen Stils in der französischen Skulptur
Zu den neugefundenen Fragmenten von Notre-Dame in Paris
Les statues royales du transept de Reims
Observations sur la topographie et l'iconologie de la Cathédrale du sacre
The Survival of Antiquity. "Première architecture gothique" or "Renaissance of the Twelfth Century"?
Changing Perspectives in the Evaluation of Architectural History
Renaissance and Revival in The Twelfth Century.
Architecture and the Figural Arts outside Italy
L'art antique et sculpture autour de 1200. St. Denis, Lisieux, Chartres
The Mirror of Nature. "Intentio vera nostra est manifestare ea quae sunt sicut sunt". Bildtradition und Wirklichkeitserfahrung in Spannungsfeld der staufischen Kunst
"Kleider machen Leute". Vergessenes aus Viollet-le-Duc's "Dictionnaire du mobilier français"
The Milieu. Medieval Paris, Centre of European Taste. Fame and Realities
The Great Centres. Tombeaux chartrains du premier quart du XIIIème siècle
Die kunstgeschichtliche Stellung der Westportale von Notre-Dame in Paris. Ein Beitrag zur Genesis des hochgotischen Stils in der französischen Skulptur
Zu den neugefundenen Fragmenten von Notre-Dame in Paris
Les statues royales du transept de Reims
Observations sur la topographie et l'iconologie de la Cathédrale du sacre
The Survival of Antiquity. "Première architecture gothique" or "Renaissance of the Twelfth Century"?
Changing Perspectives in the Evaluation of Architectural History
Renaissance and Revival in The Twelfth Century.
Architecture and the Figural Arts outside Italy
L'art antique et sculpture autour de 1200. St. Denis, Lisieux, Chartres
The Mirror of Nature. "Intentio vera nostra est manifestare ea quae sunt sicut sunt". Bildtradition und Wirklichkeitserfahrung in Spannungsfeld der staufischen Kunst
"Kleider machen Leute". Vergessenes aus Viollet-le-Duc's "Dictionnaire du mobilier français"