• Art and knowledge after 1900
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Art and knowledge after 1900

£85.00
£85.00 £85.00
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This book explores the relationship between art and various disciplines of knowledge from the beginning of the twentieth century to the present day.
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  • 05 December 2023
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This ground-breaking new history of modern art explores the relationship between art and knowledge from the beginning of the twentieth century to the present day. Each chapter examines artistic responses to a particular discipline of knowledge, from quantum theory and theosophy to cybernetics and ethnic futurisms. The authors argue that art’s incursion into other intellectual disciplines is a defining characteristic of both modernism and postmodernism. Throughout, the volume poses a series of larger questions: is art a source of knowledge? If so, what kind of knowledge? And, ultimately, can it contribute to our understanding of the world in ways that thinkers from other fields should take seriously?
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Price: £85.00
Pages: 352
Publisher: Manchester University Press
Imprint: Manchester University Press
Publication Date: 05 December 2023
ISBN: 9781526164261
Format: Hardcover
BISACs:

ART / Criticism & Theory, History of art, ART / History / General, ART / Art & Politics, PHILOSOPHY / Epistemology, Theory of art
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James Fox is Director of Studies in History of Art at Emmanuel College, University of Cambridge

Vid Simoniti is a Lecturer in Philosophy at the University of Liverpool

Introduction – James Fox and Vid Simoniti
1 Modern art and spiritual knowledge – Lucy Kent
2 Twentieth-century revolutions in art and science – Gavin Parkinson
3 Psychoanalysis and art: a new theory of objects – Margaret Iversen
4 Before the visual turn: twentieth-century historians and the uses of art – Tom Stammers
5 Knowledge, truth, history: contemporary art and the problem of art-historical periodisation – Peter Osborne
6 Art / Economics – Allan Antliff
7 Art and cybernetics: a new ontology for art – Mara Polgovsky Ezcurra
8 Art into society: organised labour, workplace sociology, and artmaking in 1970s Britain – Catherine Spencer
9 Knowledge, nation, and colour in documentary photography – Julian Stallabrass
10 Art and biotechnology: on the limits and potential of interdisciplinary arts – Vid Simoniti
11 Ethnic futurisms and contemporary art – Alice Ming Wai Jim
12 The politics and aesthetics of climate emergency – T. J. Demos
13 Art and witnessing: the poetics and politics of testifying to environmental violence – Shela Sheikh
Index